Siena

Siena

Siena, or Sienna in English, is a city in Tuscany, Italy. It is the capital of the province of Siena. The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008. Siena is famous for its cuisine, art, museums, medieval cityscape and the Palio, a horse race held twice a year.

Siena, like other Tuscan hill towns, was first settled in the time of the Etruscans (c. 900–400 BC) when it was inhabited by a tribe called the Saina. The Etruscans were an advanced people who changed the face of central Italy through their use of irrigation to reclaim previously unfarmable land, and their custom of building their settlements in well-defended hill forts. A Roman town called Saena Julia was founded at the site in the time of the Emperor Augustus. The first document mentioning it dates from AD 70. Some archaeologists assert that Siena was controlled for a period by a Gaulish tribe called the Senones.

The Roman origin accounts for the town's emblem: a she-wolf suckling infants Romulus and Remus. According to legend, Siena was founded by Senius, son of Remus, who was in turn the brother of Romulus, after whom Rome was named. Statues and other artwork depicting a she-wolf suckling the young twins Romulus and Remus can be seen all over the city of Siena. Other etymologies derive the name from the Etruscan family name "Saina," the Roman family name of the "Saenii," or the Latin word "senex" ("old") or the derived form "seneo", "to be old".

Siena did not prosper under Roman rule. It was not sited near any major roads and lacked opportunities for trade. Its insular status meant that Christianity did not penetrate until the 4th century AD, and it was not until the Lombards invaded Siena and the surrounding territory that it knew prosperity. After the Lombard occupation, the old Roman roads of Via Aurelia and the Via Cassia passed through areas exposed to Byzantine raids, so the Lombards rerouted much of their trade between the Lombards' northern possessions and Rome along a more secure road through Siena. Siena prospered as a trading post, and the constant streams of pilgrims passing to and from Rome provided a valuable source of income in the centuries to come.

The oldest aristocratic families in Siena date their line to the Lombards' surrender in 774 to Charlemagne. At this point, the city was inundated with a swarm of Frankish overseers who married into the existing Sienese nobility and left a legacy that can be seen in the abbeys they founded throughout Sienese territory. Feudal power waned however, and by the death of Countess Matilda in 1115 the border territory of the Mark of Tuscia which had been under the control of her family, the Canossa, broke up into several autonomous regions. This ultimately resulted into the creation of the Republic of Siena.

It existed for over four hundreds years, from the late 11th century until the year 1555. At the Italian War, the republic was defeated by the rival Duchy of Florence in alliance with the Spanish crown. After 18 months of resistance, Republic of Siena surrendered to Spain on 17 April 1555, marking the end of the republic.

The new Spanish King Philip, owing huge sums to the Medici, ceded it (apart a series of coastal fortress annexed to the State of Presidi) to the Grand Duchy of Tuscany, to which it belonged until the unification of Italy in the 19th century.

A Republican government of 700 Sienese families in Montalcino resisted until 1559.

Siena is a city which depends and flourishes on tourism. Siena was a very poor little city for a few hundred years after its defeat, which is the main reason that its lovely Medieval buildings were never torn down and replaced with modern structures. In the 19th century, tourists started coming. Nowadays, it is a requirement that new buildings within the city walls be built to maintain the city's character and beauty - many are strikingly modern, yet fit in well.

Siena is large enough still to have items made in the local area, stemming from its history of craftmanship, so you will find some items not readily available anywhere else. Fine paper, neckties, fabrics, embroidery/tapestry, glazed terracotta, gold jewelry, and of course local food and wine, are some of the distinctive items produced locally. There is a great shop on Via di Citta (the main street) with leather luggage, purses, bags etc.

A huge Market is held every Wednesday around the Fortezza Mediceana from about 7am to about 2pm.

Due to the city's status as a major tourist attraction there are plenty of newsagents selling international papers and magazines. A good example is the shop opposite the church on Via San Marco in the Snail Contrada, which has a friendly and helpful multilingual owner, who also runs an internet access point.

The Palio di Siena is a traditional medieval horse race run around the Piazza del Campo twice each year, on 2 July and 16 August. The event is attended by large crowds, and is widely televised. Seventeen Contrade (which are city neighbourhoods originally formed as battalions for the city's defence) vie for the trophy: a painted banner, or Palio bearing an image of the Blessed Virgin Mary. For each race a new Palio is commissioned by well-known artists and Palios won over many years can often be seen in the local Contrade museum. During each Palio period, the city is decked out in lamps and flags bearing the Contrade colours.

Ten of the seventeen Contrade run in each Palio: seven run by right (having not run in the previous year's corresponding Palio) together with three drawn by lot from the remaining ten. A horse is assigned to each by lot and is then guarded and cared for in the Contrade stable. The jockeys are paid huge sums and indeed there are often deals and bribes between jockeys or between "allied" Contrade committees to hinder other riders, especially those of 'enemy' Contrade. For the three days preceding the Palio itself, there are practice races. The horses are led from their stables through the city streets to the Campo, accompanied by crowds wearing Contrade scarves or tee-shirts and the air is filled with much singing and shouting.

Though often a brutal and dangerous competition for horse and bare-back rider alike, the city thrives on the pride this competition brings. The Palio is not simply a tourist event as a true Sienese regards this in an almost tribal way, with passions and rivalry similar to that found at a football 'Derby' match. In fact the Sienese are baptised twice, once in church and a second time in their own Contrade fountain. This loyalty is maintained through a Contrade 'social club' and regular events and charitable works. Indeed the night before the Palio the city is a mass of closed roads as each Contrade organises its own outdoor banquet, often for numbers in excess of 1,000 diners. On the day of the Palio itself the horses are accompanied by a spectacular display of drummers and flag twirlers dressed in traditional medieval costumes who first lead the horse and jockey to the Contrade parish church and then join a procession around the Piazza del Campo square. This traditional parade is called the Corteo Storico, which begins in the streets and concludes in the Piazza del Campo encircling the square. There are often long delays while the race marshall attempts to line up the horses, but once underway the Campo becomes a cauldron of wild emotion for the 3 minutes of the race.

This event is not without its controversy however, and recently, there have been complaints about the treatment of the horses and to the danger run by the riders. In order to better protect the horses, steps have been taken to make veterinary care more easily available during the main race. Also at the most dangerous corners of the course, cushions are used to help protect both the riders and horses.

                                                       Siena’s Top 5:

   
1. The Cathedral of Siena dedicated from its earliest days as a Roman Catholic Marian church and now to Santa Maria Assunta (Most Holy Mary of Assumption), is a medieval church in Siena, central Italy. The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius.
2. Fortezza Medicea (the Medici Fortress sometimes called the Fort of Saint Barbara) is a fort built in the city between 1561 and 1563 on the orders of Duke Cosimo, a few years before he became the first Grand Duke of Tuscany. The fortress is positioned on the northern edge of the central Siena in the San Prospero quarter, and since 1923 has overlooked the city’s Artemio Franchi /Montepaschi Arena. Construction of the fortress followed the Battle of Marciano which in 1554 marked the final defeat of Siena by its long standing rival, Florence. It was located on the site of a previous fort, known as the Cittadella/Citadel, which had been built in 1548 on the orders of the Emperor Charles V after the city came under the control of Spain, subjected to the authority of the Spanish ambassador, Diego Hurtado de Mendoza.
3. The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. Buonsignori Palace, although built in the 15th century, has a 19th century neo-medival façade based on the city's Palazzo Pubblico. The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries.
4. The Basilica dell'Osservanza is a church on the outskirts of Siena, Italy. It was built around 1490, probably designed by Francesco di Giorgio. The church was expanded between 1495 and 1496 by Magnifico Despota Pandolfo Petrucci. Built in the Renaissance style, the original complex was damaged during the Siege of Siena in 1554. It was rebuilt during the Baroque period and restored between 1922 and 1932. During the Second World War it was almost totally destroyed by American bombing on January 23 1944, but in an ambitious post-war reconstruction project the original basilica was able to be rebuilt through photographs and evidence presented by the monks of the monastery.
5. The Palazzo Pubblico, Siena's City Hall for almost 800 years, contains (amongst many other things) the famous frescos on good and bad government by Ambrogio Lorenzetti, frescoes by Simone Martini and Duccio. The outside of the structure is an example of Italian medieval architecture with Gothic influences. The lower story is stone; the upper crenelatted stories are made of brick. The facade of the palace is curved slightly inwards (concave) to reflect the outwards curve (convex) of the Piazza del Campo, Siena's central square of which the Palace is the focal point. The campanile or bell tower, Torre del Mangia, was built between 1325 and 1344 with its crown designed by the painter, Lippo Memmi. The tower was designed to be taller than the tower in neighboring rival Florence; at the time it was the tallest structure in Italy.

Pisa

Pisa

Pisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower (the bell tower of the city's cathedral), the city of over 88,332 residents (around 200,000 with the metropolitan area) contains more than 20 other historic churches, several palaces and various bridges across the River Arno.

Pisa lies at the junction of two rivers, the Arno and the Serchio, which form a laguna at the Tyrrhenian Sea. While the origin of the city had remained unknown for centuries, the Pelasgi, the Greeks, the Etruscans, and the Ligurians had variously been proposed as founders of the city (for example, a colony of the ancient city of Pisa, Greece). Archaeological remains from the 5th century BC confirmed the existence of a city at the sea, trading with Greeks and Gauls. The presence of an Etruscan necropolis, discovered during excavations in the Arena Garibaldi in 1991, confirmed its Etruscan origins.

Ancient Roman authors referred to Pisa as an old city. Strabo referred Pisa's origins to the mythical Nestor, king of Pylos, after the fall of Troy. Virgil, in his Aeneid, states that Pisa was already a great center by the times described; the settlers from the Alpheus coast have been credited with the founding of the city in the 'Etruscan lands'. The Virgilian commentator Servius wrote that the Teuti, or Pelops, the king of the Pisaeans, founded the town thirteen centuries before the start of the common era.

The maritime role of Pisa should have been already prominent if the ancient authorities ascribed to it the invention of the naval ram. Pisa took advantage of being the only port along the western coast from Genoa (then a small village) to Ostia. Pisa served as a base for Roman naval expeditions against Ligurians, Gauls and Carthaginians. In 180 BC, it became a Roman colony under Roman law, as Portus Pisanus. In 89 BC,Portus Pisanus became a municipium. 

The power of Pisa as a mighty maritime nation began to grow and reached its apex in the 11th century when it acquired traditional fame as one of the four main historical Maritime Republics of Italy (Repubbliche Marinare).

At that time, the city was a very important commercial centre and controlled a significant Mediterranean merchant fleet and navy. It expanded its powers in 1005 through the sack of Reggio Calabria in the south of Italy. Pisa was in continuous conflict with the Saracens, who had their bases in Corsica, for control of the Mediterranean. In 1017 Sardinian Giudicati were militarily supported by Pisa, in alliance with Genoa, to defeat the Saracen King Mugahid who had settled a logistic base in the north of Sardinia the year before. This victory gave Pisa supremacy in the Tyrrhenian Sea. When the Pisans subsequently ousted the Genoese from Sardinia, a new conflict and rivalry was born between these mighty marine republics. Between 1030 and 1035, Pisa went on to defeat several rival towns in Sicily and conquer Carthage in North Africa. In 1051–1052 the admiral Jacopo Ciurini conquered Corsica, provoking more resentment from the Genoese. In 1063 admiral Giovanni Orlando, coming to the aid of the Norman Roger I, took Palermo from the Saracen pirates. The gold treasure taken from the Saracens in Palermo allowed the Pisans to start the building of their cathedral and the other monuments which constitute the famous Piazza del Duomo.

In 1060 Pisa had to engage in their first battle with Genoa. The Pisan victory helped to consolidate its position in the Mediterranean. Pope Gregory VII recognised in 1077 the new "Laws and customs of the sea" instituted by the Pisans, and emperor Henry IV granted them the right to name their own consuls, advised by a Council of Elders. This was simply a confirmation of the present situation, because in those years the marquis had already been excluded from power. In 1092 Pope Urban II awarded Pisa the supremacy over Corsica and Sardinia, and at the same time raising the town to the rank of archbishopric.

The decline of Pisa as a significant naval power began on 6 August 1284, when the numerically superior fleet of Pisa, under the command of Albertino Morosini, was defeated by the brilliant tactics of the Genoese fleet, under the command of Benedetto Zaccaria and Oberto Doria, in the dramatic naval Battle of Meloria. This defeat ended the maritime power of Pisa and the town never fully recovered: in 1290 the Genoese destroyed forever the Porto Pisano (Pisa's Port), and covered the land with salt. The region around Pisa did not permit the city to recover from the loss of thousands of sailors from the Meloria, while Liguria guaranteed enough sailors to Genoa. Goods continued to be traded, albeit in reduced quantity, but the end came when the River Arno started to change course, preventing the galleys from reaching the city's port up the river. It seems also that nearby area became infested with malaria. Within 1324 also Sardinia was entirely lost in favour of the Aragonese.

Pisa tried to build up its power in the course of the 14th century and even managed to defeat Florence in the Battle of Montecatini (1315), under the command of Uguccione della Faggiuola. Eventually, however, divided by internal struggles and weakened by the loss of its mercantile strength, Pisa was conquered by Florence in 1406. In 1409 Pisa was the seat of a council trying to set the question of the Great Schism. Furthermore in the 15th century, access to the sea became more and more difficult, as the port was silting up and was cut off from the sea. When in 1494 Charles VIII of France invaded the Italian states to claim the Kingdom of Naples, Pisa grabbed the opportunity to reclaim its independence as the Second Pisan Republic.

Palazzo della Carovana

But the new freedom did not last long. After fifteen years of battles and sieges, Pisa was reconquered in 1509 by the Florentine troops led by Antonio da Filicaja, Averardo Salviati and Niccolò Capponi. Its role of major port of Tuscany went to Livorno. Pisa acquired a mainly, though secondary, cultural role spurred by the presence of the University of Pisa, created in 1343. Its decline is clearly shown by its population, which has remained almost constant since the Middle Ages.

Pisa was the birthplace of the important early physicist Galileo Galilei. It is still the seat of an archbishopric; it has become a light industrial centre and a railway hub. It suffered repeated destruction during World War II.

As a general rule, try not to eat near the Leaning Tower where prices are high and quality low. Head instead to the central area (5-10 minutes walking from Piazza dei Miracoli): you can find very good, cheap restaurants there. For example, there are excellent, friendly and reasonably priced cafeterias in the busy small vegetable market, Piazza delle Vettovaglie. Also Via San Martino, close to the south bank of the river, offers some places with good quality and low price.

This said, near the Leaning Tower, in via Roma, there's a good Indian Restaurant, with a beautiful atmosphere and really good, though not always cheap, dishes. In Piazza dei Miracoli, there's a quite good restaurant-pizzeria, cheap enough, the Kinzica. In any case, don't miss Salza, in Borgo Stretto, with high prices but absolutely gorgeous chocolate, sweets and pastries of all kinds. Don't sit down inside, though, because you end up paying €10 for two coffees.

During summer nights, everybody stays around the banks of the rivers, sipping drinks bought from the several bars in the area. A few very good wine bars are also available for colder, winter nights. 

                                                        Pisa’s Top 5:

   
1. The Leaning Tower of Pisa  or simply theTower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt to one side. It is situated behind the Cathedral and is the third oldest structure in Pisa's Cathedral Square (Piazza del Duomo) after the Cathedral and the Baptistry. The tower's tilt began during construction, caused by an inadequate foundation on ground too soft on one side to properly support the structure's weight. The tilt increased in the decades before the structure was completed, and gradually increased until the structure was stabilized (and the tilt partially corrected) by efforts in the late 20th and early 21st centuries. Construction of the tower occurred in three stages across 177 years. Work on the ground floor of the white marble campanile began on August 8, 1173, during a period of military success and prosperity. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals. The tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, a design that was flawed from the beginning.
2. Palazzo della Carovana (also Palazzo dei Cavalieri) is a palace in Knights' Square, presently housing the Scuola Normale Superiore di Pisa. It was built in 1562–1564 by Giorgio Vasari for the headquarters of the Knights of St. Stephen, as a renovation of the already existing Palazzo degli Anziani ("Palace of the Elders"). The name, meaning "Palace of the Convoy", derives from the three year period undertaken by the initiates of the Order for their training, called "la Carovana". The façade is characterized by a complex scheme with sgraffiti representing allegorical figures and zodiacal signs, designed by Vasari himself and sculpted by Tommaso di Battista del Verrocchio and Alessandro Forzori, coupled to busts and marble crests. The current paintings date however to the 19th-20th centuries.
3. Pisa Cathedral.  The heart of the Piazza del Duomo is the Duomo, the medieval cathedral, entitled to Santa Maria Assunta (St. Mary of the Assumption). This is a five-naved cathedral with a three-naved transept. The church is known also as the Primatial, the archbishop of Pisa being a Primate since 1092. Construction was begun in 1064 by the architect Buscheto, and set the model for the distinctive Pisan Romanesque style of architecture. The mosaics of the interior, as well as the pointed arches, show a strong Byzantine influence. The façade, of grey marble and white stone set with discs of coloured marble, was built by a master named Rainaldo, as indicated by an inscription above the middle door: Rainaldus prudens operator. The massive bronze main doors were made in the workshops of Giambologna, replacing the original doors destroyed in a fire in 1595. The central door was in bronze and made around 1180 by Bonanno Pisano, while the other two were probably in wood. However worshippers never used the façade doors to enter, instead entering by way of the Porta di San Ranieri (St. Ranieri's Door), in front of the Leaning Tower, made in around 1180 by Bonanno Pisano.
4. Santa Maria della Spina is a small Gothic church in the Italian city of Pisa. The church, erected in 1230, was originally known as Santa Maria di Pontenovo: the new name of Spina ("thorn") derives from the presence of a thorn allegedly part of the crown dressed by Christ on the Cross, brought here in 1333. In 1871 the church was dismantled and rebuilt on a higher level due to dangerous inflitration of water from the Arno river: the church was slightly altered in the process, however.  The church is one of the most outstanding Gothic edifices of Europe: it has a rectangular plant, with an external facing wholly composed of marble, laid in polychrome bands.
5. The Campo Santo, also known as Camposanto Monumentale ("monumental cemetery") or Camposanto Vecchio ("old cemetery"), is a historical edifice at the northern edge of the Cathedral Square. "Campo Santo" can be literally translated as "holy field", because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade by Ubaldo de' Lanfranchi, archbishop of Pisa in the 12th century. A legend claims that bodies buried in that ground will rot in just 24 hours. The burial ground lies over the ruins of the old baptistery of the church of Santa Reparata, the church that once stood where the cathedral now stands. The term "monumental" serves to differentiate it from the later-established urban cemetery in Pisa. The building was the fourth and last one to be raised in the Cathedral Square. It dates from a century after the bringing of the soil from Golgotha, and was erected over the earlier burial ground. The construction of this huge, oblong Gothic cloister was begun in 1278 by the architect Giovanni di Simone. He died in 1284 when Pisa suffered a defeat in the naval battle of Meloria against the Genoans. The cemetery was only completed in 1464.
   
   
   

   

   Santa Maria della Spina

   
   
   
   

Lucca

Lucca

Lucca is a city and comune in Tuscany, the north-west of Italy, situated on the river Serchio in a fertile plain near the Tyrrhenian Sea. It is the capital city of the Province of Lucca. Among other reasons, it is famous for its intact Renaissance-era city walls.

Lucca was founded by the Etruscans (there are traces of a pre-existing Ligurian settlement) and became a Roman colony in 180 BC. The rectangular grid of its historical centre preserves the Roman street plan, and the Piazza San Michele occupies the site of the ancient forum. Traces of the amphitheatre can still be seen in the Piazza dell'Anfiteatro. Lucca was the site of a conference in 56 BC which reaffirmed the supremacy of the Roman First Triumvirate.

Frediano, an Irish monk, was bishop of Lucca in the early 6th century. At one point, Lucca was plundered by Odoacer, the first Germanic King of Italy. Lucca was an important city and fortress even in the 6th century, when Narses besieged it for several months in 553. Under the Lombards, it was the seat of a duke who minted his own coins. The Holy Face of Lucca (or Volto Santo), a major relic supposedly carved by Nicodemus, arrived in 742. It became prosperous through the silk trade that began in the 11th century, and came to rival the silks of Byzantium. During the 10-11th centuries Lucca was the capital of the feudal margraviate of Tuscany, more or less independent but owing nominal allegiance to the Holy Roman Emperor.

After the death of Matilda of Tuscany, the city began to constitute itself an independent commune, with a charter in 1160. For almost 500 years, Lucca remained an independent republic. There were many minor provinces in the region between southern Liguria and northern Tuscany dominated by the Malaspina; Tuscany in this time was a part of feudal Europe. In 1805, Lucca was conquered by Napoleon, who installed his sister Elisa Bonaparte Baciocchi as "Queen of Etruria". After 1815 it became a Bourbon-Parma duchy, then part of Tuscany in 1847 and finally part of the Italian State.

The walls around the old town remained intact as the city expanded and modernized, unusual for cities in the region. As the walls lost their military importance, they became a pedestrian promenade which encircled the old town, although they were used for a number of years in the 20th century for racing cars. They are still fully intact today; each of the four principal sides is lined with a different tree species. Completely surrounding the ancient city, the walls we see today date back to the 17th century. Now, no longer used for defense, they are crowned by 4 km of green parkland, and are a lovely place to walk, cycle or stop for a picnic. Just another example of how, over the centuries, though buildings last, their roles metamorphose as times change.

Torre Guinigi

Rich families who embellished the city are closely connected with Lucca's many enchanting legends and tales. The central square, at the heart of the city, maintained the shape of the Roman amphitheater and shows the outline of an ancient arena.

Likewise, via Fillungo, the main street in the city, was also born with the Romans. Though it was meant to be the Decumano (a straight main street) and though still central, its narrow, winding path and typical medieval characteristics testify how the shape of Lucca has been altered since antiquity.

Lucca is a city to stroll through, from the walls to the Roman amphitheater, which is now bordered by chic boutiques and restaurants. The town also offers bicycle rentals by the day or the week. The 16th-century red brick walls of the town, offering a wide and peaceful road shaded by chestnut trees, are a favorite place for walking, jogging or cycling. For those who wish to swim in the sea, the coastal strip of Versilia, from Forte dei Marmi to Torre del Lago Puccini, offers more than 20 kilometers (12 miles) of beaches, parks and splendid countryside. Most beaches can be reached from Lucca by car in 30 to 45 minutes.

                                                        Lucca’s Top 5:

   
1. The Cathedral of St Martin  Was begun in 1063 by Bishop Anselm (later Pope Alexander II). Of the original structure, the great apse with its tall columnar arcades and the fine campanile remain. The nave and transepts of the cathedral were rebuilt in the Gothic style in the 14th century, while the west front was begun in 1204 by Guido Bigarelli of Como, and consists of a vast portico of three magnificent arches, and above them three ranges of open galleries adorned with sculptures. In the nave a small octagonal temple or chapel shrine contains the most precious relic in Lucca, the Volto Santo di Lucca or Sacred Countenance. The chapel was built in 1484 by Matteo Civitali, the most famous Luccan sculptor of the early Renaissance. There is a legend to explain why all the columns of the façade are different. According to the tale, when they were going to decorate it, the inhabitants of Lucca announced a contest for the best column. Every artist made a column, but then the inhabitants of Lucca decided to take them all, without paying the artists and used all the columns.
2. The Ducal Palace. The palace is located on the site of the Fortezza Augustan, the residence of condottiero Castruccio Castracani, where also was his palace, perhaps designed by Giotto. The large complex, which occupied some one fifth of the city, was destroyed by the populace in 1370. The fortress was restored and used as residence by Paolo Guinigi in 1401; after his fall in 1429 this was again partially dismantled and later became the Palazzo Pubblico ("Public Palace"). After a period as the residence of Duchess Elisa Baciocchi, it was the seat of the Lucchese state government until the Unification of Italy in 1861, when it was acquired by the province of Lucca.
3. Piazza Anfiteatro.  Built on the site of an original Roman amphitheatre, Piazza Anfiteatro is another ‘must-see' in Lucca. Some original Roman elements remain, particularly within the outer walls. This ancient site constitutes one of the most characteristic and original monuments of the city. The ancient amphitheatre dates from the 2nd century A.D. It was built on an elliptical plan with two rows of 54 arcades and a maximum capacity of 10,000 spectators. Beginning in the Middle Ages, houses were built over the ruins. Over the course of time the piazza developed its characteristic elliptical shape, with buildings all around it. The ancient remains are still quite evident today. The colorful piazza was restored in 1830. Enlivened by shops and cafes, it is still at the center of cultural activities, music festivals, and fairs.
4. The Torre Guinigi rises above via Sant'Andrea, crowned by holm oaks to symbolise rebirth. It was added by the family in the late 1300s, with the aim of giving a refined look one of the houses, in a period when numerous bell-towers were going up within the walls of Lucca, as were the towers, an emblem of prestige of the richest families. The Tower was built in brick; its imposing bulk was lightened by mullioned three-light and four-light windows and decorated by coats of arms, cornices and plaques. Since then it has been one of the symbols of the town. Today the Tower is owned by the Lucca town council and is a place not to be missed in the town: going up it is a must, and its top is one of the most fascinating points to stand in the shade of the holm oaks, admiring Lucca's little architectural jewels from above.
5. San Michele in Foro is a Roman Catholic basilica church, built over the ancient Roman forum. Until 1370 it was the seat of the Consiglio Maggiore (Major Council), the commune's most important assembly. It is dedicated to Archangel Michael. The church is mentioned for the first time in 795 as ad foro (in the forum). It was rebuilt after 1070 by will of Pope Alexander II. Notable is the façade, from the 13th century, with a large series of sculptures and inlays, numerous of which remade in the 19th century. The lower part has a series of blind arcades, the central of which includes the main portal. The upper part, built using plenty of iron materials to counter wind, has four orders of small loggias. On the summit, flanked by two other angels, is the 4 m-tall statue of St. Michael the Archangel. According to a legend, an angel's finger would have a huge diamond. On the lower right corner of the façade is a statue (1480) of the Madonna salutis portus, sculpted by Matteo Civitali to celebrate the end of the 1476 plague.
   
   
   

   

   
   
   
   

References: http://www.italyguides.it/us/italy/tuscany/lucca/lucca.htm
                 http://www.welcometuscany.it/tuscany/lucca/lucca.htm

Florence

Florence

Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area. 
Located on the banks of the River Arno, Florence is famous for its history and especially its importance in the Middle Ages and during the Renaissance, its art and architectureand, more generally, for its cultural heritage. A centre of medieval European trade and finance and one of the wealthiest cities of the time, Florence is considered the birthplace of the Renaissance, and has been called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, and numerous religious and republican revolutions. From 1865 to 1870 the city was also the capital of the recently established Kingdom of Italy.

Florence was established by Lucius Cornelius Sulla in 80 BC as a settlement for his veteran soldiers and was named originally Fluentia, owing the fact that it was built between two rivers, which was later corrupted to Florentia. It was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated at the Via Cassia, the main route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre.  In the ensuing two centuries, the city experienced turbulent periods of Ostrogothic rule, during which the city was often troubled by warfare between the Ostrogoths and the Byzantines, which may have caused the population to fall to as few as 1,000 people. Peace returned under Lombard rule in the 6th century. Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to grow again and commerce prospered. In 854, Florence and Fiesole were united in one county.



Florence's museums, palaces, and churches house some of the greatest artistic treasures in the world. The most popular and important sites in Florence include the Cathedral, the Baptistery, the Uffizi, the Bargello, and the Accademia. The churches of Santa Maria Novella and Santa Croce are veritable art galleries, and the library of San Lorenzo is a magnificent exhibition of Michelangelo's architectural genius. Wander some of the oldest streets in the city until you reach the Arno River, cross the Ponte Vecchio, and experience the "newest" area of Florence, the Oltrarno. Be sure to set aside time to see the vast and varied art collection housed in the Pitti Palace. When you grow weary of museums and monuments, head outdoors. Spend a day at the Boboli Gardens or climb the hill to the church of San Miniato al Monte to experience an enchanting view of Florence. 

Florence is considered by many to be an open-air museum. If you are interested in architecture, for example, you don't need to visit any museums: many of the palaces and squares are masterpieces of their own. Designed by Michelozzo, Andrea di Cambio and Brunelleschi, among many others, many of the great palaces and piazzas in Florence are spectacular to behold. The main squares often display statues by Giambologna or Michelangelo. 

The Piazza della Repubblica is a square in the city centre, location of the cultural cafes and bourgeois palaces. Among the square's cafes (like Caffè Gilli, Paszkowski or the Hard Rock Cafè), the Giubbe Rosse cafe has long been a meeting place for artists and writers, notably those of Futurism. The Piazza Santa Croce is another; dominated by the Basilica of Santa Croce, it is a rectangular square in the centre of the city where the Calcio Fiorentino is played every year.  

The centre additionally contains several streets. Such include the Via Camillo Cavour, one of the main roads of the northern area of the historic centre; the Via Ghibellina, one of central Florence's longest streets; the Via dei Calzaiuoli, one of most central streets of the historic centre of the which links Piazza del Duomo to Piazza della Signoria, winding parallel to via Roma and Piazza della Repubblica; the Via de' Tornabuoni, a luxurious street in the city centre that goes from Antinori square to ponte Santa Trinita, across Piazza Santa Trinita, characterised by the presence of fashion boutiques; the Viali di Circonvallazione, 6-lane boulevards surrounding the northern part of the historic centre; as well as others, such as Via Roma, Via degli Speziali, Via de' Cerretani, and the Viale dei Colli. 

Florence is not just the cradle of Renaissance or an open-air museum. This splendid city is a famous shopping destination. In Florence you'll find all types of shops from luxury boutiques tocraftsmen shops, from antique stores to food markets where you can find delicious cheese, wines and more.

Florence's historical center is a mix of both historical attractions alternated with shops. The center has many stores and shops from Gucci, H&M, Furla to the Disney Store. You will also find many artisan workshops and ateliers, offering handcrafted products that have been made in Florence for centuries.

Florentine food grows out of a tradition of peasant eating rather than rarefied high cooking. The majority of dishes are based on meat. 

The whole animal was traditionally eaten; tripe, (trippa) and (lampredotto) were once regularly on the menu and still are sold at the food carts stationed throughout the city. Antipasti include crostini toscani, sliced bread rounds topped with a chicken liver-based pâté, and sliced meats (mainly prosciutto and salame, often served with melon when in season). 

The typically saltless Tuscan bread, obtained with natural levain frequently features in Florentine courses, especially in its soups, ribollita and pappa al pomodoro, or in the salad of bread and fresh vegetables called panzanella that is served in summer. The bistecca alla fiorentina is a large T-bone steak of Chianina beef cooked over hot charcoal and served very rare with its more recently derived version, the tagliata, sliced rare beef served on a bed of arugula, often with slices of Parmesan cheese on top. Most of these courses are generally served with local olive oil, also a prime product enjoying a worldwide reputation. 

                                                        Florence’s Top 5:

   
1. Florence Cathedral.  The Basilica di Santa Maria del Fiore  is the cathedral church of Florence. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival façade by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. The three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major attraction to tourists visiting the region of Tuscany. The basilica is one of Italy's largest churches, and until development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed.
2. Ponte Vecchio. Built very close to the Roman crossing, the Old Bridge was, until 1218, the only bridge across the Arno in Florence. The current bridge was rebuilt after a flood in 1345. During World War II it was the only bridge across the Arno that the fleeing Germans did not destroy. Instead they blocked access by demolishing the medieval buildings on each side. On November 4, 1966, the bridge miraculously withstood the tremendous weight of water and silt when the Arno once again burst its banks. When the Medici moved from Palazzo Vecchio to Palazzo Pitti, they decided they needed a connecting route from the Uffizi to the Palazzo Pitti on the other side of the Arno that would enable them to keep out of contact with the people they ruled. The result was the Corridoio Vasariano, built in 1565 by Vasari and which runs above the little goldsmiths' shops on the Ponte Vecchio.
3. Michelangelo's David is a masterpiece of Renaissance sculpture created between 1501 and 1504, by the Italian artist Michelangelo. It is a 5.17-metre (17.0 ft) marble statue of a standing male nude. The statue represents the Biblical hero David, a favoured subject in the art of Florence. Originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, the statue was instead placed in a public square, outside the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. Because of the nature of the hero that it represented, it soon came to symbolize the defense of civil liberties embodied in the Florentine Republic, an independent city-state threatened on all sides by more powerful rival states and by the hegemony of the Medici family. The eyes of David, with a warning glare, were turned towards Rome. The statue was moved to the Accademia Gallery in 1873, and later replaced at the original location by a replica.
4. The Uffizi Gallery. The Uffizi is the most important and most visited museum in Florence. The Uffizi palace was designed and begun in 1560 by the architect Giorgio Vasari in the period when Cosimo de' Medici, first Grand Duke of Tuscany, was bureaucratically consolidating his recent takeover of power. Built in the shape of a horseshoe extending from Piazza della Signoria to the Arno River and linked by a bridge over the street with Palazzo Vecchio, the Uffizi were intended to house the administrative offices (uffizi) of the Grand Duchy. From the beginning, however, the Medici set aside a few rooms on the third floor to house the finest works of their collections. The Gallery was subsequently enriched by various members of the Medici family. Two centuries later, in 1737, the palace and their collection were left to the city by Anna Maria Luisa, the last Medici heir, and today houses one of the world's great art galleries. Masterpieces on show include; Botticelli's Primavera and Birth of Venus, Leonardo da Vinci's The Annunciation and The Adoration of the Magi, Filippino Lippi's Madonna and Child with Two Angels, Titian's Venus of Orbino and many other works, including from the early Masters Cimabue and Giotto, Early Rennaisance pioneers Fra Angelico and Masaccio, and Caravaggio and Rembrant.  Today, the Uffizi is one of the most popular tourist attractions of Florence. In high season (particularly in July), waiting times can be up to five hours. Visitors who reserve a ticket in advance have a substantially shorter wait.
5. Palazzo Vecchio. Literally the "Old Palace", still fulfils its original role as Florence's town hall. Completed in 1302 by Arnolfo di Cambio, the palazzo retains its medieval appearance although much of the interior was remodeled for Duke Cosimo I when he moved into the palace in 1540, transferring the ruling family from its old residence near San Lorenzo (now known as the Palazzo Medici-Riccardi, on via Cavour). It became known as Palazzo Vecchio when Cosimo transferred his court to Palazzo Pitti. During the brief period that Florence was the capital of Italy (1865-71), it housed the Parliament and Foreign Ministry. The original part of Palazzo Vecchio is the work of Arnolfo di Cambio (1245-1302) and was built at the turn of the thirteenth and fourteenth century as the seat of the Priors. Successive additions of the fifteenth and, above all, of the sixteenth centuries have changed the scale of the rear of the palace without modifying the massive appearance of the huge blocks, gallery and tower dominating Piazza Signoria.
   
   
   
   bloggers note: This was the toughest top 5 I have had to do so far as there are probably 105 top things to do! I decided to go with popular choice (must sees) rather than personal opinion on this one.
   
   
   
   
   
   

References: http://www.visitflorence.com/