Siena, or Sienna in English, is a city in Tuscany, Italy. It is the capital of the province of Siena. The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008. Siena is famous for its cuisine, art, museums, medieval cityscape and the Palio, a horse race held twice a year.
Siena, like other Tuscan hill towns, was first settled in the time of the Etruscans (c. 900–400 BC) when it was inhabited by a tribe called the Saina. The Etruscans were an advanced people who changed the face of central Italy through their use of irrigation to reclaim previously unfarmable land, and their custom of building their settlements in well-defended hill forts. A Roman town called Saena Julia was founded at the site in the time of the Emperor Augustus. The first document mentioning it dates from AD 70. Some archaeologists assert that Siena was controlled for a period by a Gaulish tribe called the Senones.
The Roman origin accounts for the town's emblem: a she-wolf suckling infants Romulus and Remus. According to legend, Siena was founded by Senius, son of Remus, who was in turn the brother of Romulus, after whom Rome was named. Statues and other artwork depicting a she-wolf suckling the young twins Romulus and Remus can be seen all over the city of Siena. Other etymologies derive the name from the Etruscan family name "Saina," the Roman family name of the "Saenii," or the Latin word "senex" ("old") or the derived form "seneo", "to be old".
Siena did not prosper under Roman rule. It was not sited near any major roads and lacked opportunities for trade. Its insular status meant that Christianity did not penetrate until the 4th century AD, and it was not until the Lombards invaded Siena and the surrounding territory that it knew prosperity. After the Lombard occupation, the old Roman roads of Via Aurelia and the Via Cassia passed through areas exposed to Byzantine raids, so the Lombards rerouted much of their trade between the Lombards' northern possessions and Rome along a more secure road through Siena. Siena prospered as a trading post, and the constant streams of pilgrims passing to and from Rome provided a valuable source of income in the centuries to come.
Siena did not prosper under Roman rule. It was not sited near any major roads and lacked opportunities for trade. Its insular status meant that Christianity did not penetrate until the 4th century AD, and it was not until the Lombards invaded Siena and the surrounding territory that it knew prosperity. After the Lombard occupation, the old Roman roads of Via Aurelia and the Via Cassia passed through areas exposed to Byzantine raids, so the Lombards rerouted much of their trade between the Lombards' northern possessions and Rome along a more secure road through Siena. Siena prospered as a trading post, and the constant streams of pilgrims passing to and from Rome provided a valuable source of income in the centuries to come.
The oldest aristocratic families in Siena date their line to the Lombards' surrender in 774 to Charlemagne. At this point, the city was inundated with a swarm of Frankish overseers who married into the existing Sienese nobility and left a legacy that can be seen in the abbeys they founded throughout Sienese territory. Feudal power waned however, and by the death of Countess Matilda in 1115 the border territory of the Mark of Tuscia which had been under the control of her family, the Canossa, broke up into several autonomous regions. This ultimately resulted into the creation of the Republic of Siena.
It existed for over four hundreds years, from the late 11th century until the year 1555. At the Italian War, the republic was defeated by the rival Duchy of Florence in alliance with the Spanish crown. After 18 months of resistance, Republic of Siena surrendered to Spain on 17 April 1555, marking the end of the republic.
It existed for over four hundreds years, from the late 11th century until the year 1555. At the Italian War, the republic was defeated by the rival Duchy of Florence in alliance with the Spanish crown. After 18 months of resistance, Republic of Siena surrendered to Spain on 17 April 1555, marking the end of the republic.
The new Spanish King Philip, owing huge sums to the Medici, ceded it (apart a series of coastal fortress annexed to the State of Presidi) to the Grand Duchy of Tuscany, to which it belonged until the unification of Italy in the 19th century.
A Republican government of 700 Sienese families in Montalcino resisted until 1559.
Siena is a city which depends and flourishes on tourism. Siena was a very poor little city for a few hundred years after its defeat, which is the main reason that its lovely Medieval buildings were never torn down and replaced with modern structures. In the 19th century, tourists started coming. Nowadays, it is a requirement that new buildings within the city walls be built to maintain the city's character and beauty - many are strikingly modern, yet fit in well.A Republican government of 700 Sienese families in Montalcino resisted until 1559.
Siena is large enough still to have items made in the local area, stemming from its history of craftmanship, so you will find some items not readily available anywhere else. Fine paper, neckties, fabrics, embroidery/tapestry, glazed terracotta, gold jewelry, and of course local food and wine, are some of the distinctive items produced locally. There is a great shop on Via di Citta (the main street) with leather luggage, purses, bags etc.
A huge Market is held every Wednesday around the Fortezza Mediceana from about 7am to about 2pm.
Due to the city's status as a major tourist attraction there are plenty of newsagents selling international papers and magazines. A good example is the shop opposite the church on Via San Marco in the Snail Contrada, which has a friendly and helpful multilingual owner, who also runs an internet access point.
The Palio di Siena is a traditional medieval horse race run around the Piazza del Campo twice each year, on 2 July and 16 August. The event is attended by large crowds, and is widely televised. Seventeen Contrade (which are city neighbourhoods originally formed as battalions for the city's defence) vie for the trophy: a painted banner, or Palio bearing an image of the Blessed Virgin Mary. For each race a new Palio is commissioned by well-known artists and Palios won over many years can often be seen in the local Contrade museum. During each Palio period, the city is decked out in lamps and flags bearing the Contrade colours.
Ten of the seventeen Contrade run in each Palio: seven run by right (having not run in the previous year's corresponding Palio) together with three drawn by lot from the remaining ten. A horse is assigned to each by lot and is then guarded and cared for in the Contrade stable. The jockeys are paid huge sums and indeed there are often deals and bribes between jockeys or between "allied" Contrade committees to hinder other riders, especially those of 'enemy' Contrade. For the three days preceding the Palio itself, there are practice races. The horses are led from their stables through the city streets to the Campo, accompanied by crowds wearing Contrade scarves or tee-shirts and the air is filled with much singing and shouting.
Though often a brutal and dangerous competition for horse and bare-back rider alike, the city thrives on the pride this competition brings. The Palio is not simply a tourist event as a true Sienese regards this in an almost tribal way, with passions and rivalry similar to that found at a football 'Derby' match. In fact the Sienese are baptised twice, once in church and a second time in their own Contrade fountain. This loyalty is maintained through a Contrade 'social club' and regular events and charitable works. Indeed the night before the Palio the city is a mass of closed roads as each Contrade organises its own outdoor banquet, often for numbers in excess of 1,000 diners. On the day of the Palio itself the horses are accompanied by a spectacular display of drummers and flag twirlers dressed in traditional medieval costumes who first lead the horse and jockey to the Contrade parish church and then join a procession around the Piazza del Campo square. This traditional parade is called the Corteo Storico, which begins in the streets and concludes in the Piazza del Campo encircling the square. There are often long delays while the race marshall attempts to line up the horses, but once underway the Campo becomes a cauldron of wild emotion for the 3 minutes of the race.
This event is not without its controversy however, and recently, there have been complaints about the treatment of the horses and to the danger run by the riders. In order to better protect the horses, steps have been taken to make veterinary care more easily available during the main race. Also at the most dangerous corners of the course, cushions are used to help protect both the riders and horses.
This event is not without its controversy however, and recently, there have been complaints about the treatment of the horses and to the danger run by the riders. In order to better protect the horses, steps have been taken to make veterinary care more easily available during the main race. Also at the most dangerous corners of the course, cushions are used to help protect both the riders and horses.
Siena’s Top 5:
- The Cathedral of Siena dedicated from its earliest days as a Roman Catholic Marian church and now to Santa Maria Assunta (Most Holy Mary of Assumption), is a medieval church in Siena, central Italy. The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius.
- Fortezza Medicea (the Medici Fortress sometimes called the Fort of Saint Barbara) is a fort built in the city between 1561 and 1563 on the orders of Duke Cosimo, a few years before he became the first Grand Duke of Tuscany. The fortress is positioned on the northern edge of the central Siena in the San Prospero quarter, and since 1923 has overlooked the city’s Artemio Franchi /Montepaschi Arena. Construction of the fortress followed the Battle of Marciano which in 1554 marked the final defeat of Siena by its long standing rival, Florence. It was located on the site of a previous fort, known as the Cittadella/Citadel, which had been built in 1548 on the orders of the Emperor Charles V after the city came under the control of Spain, subjected to the authority of the Spanish ambassador, Diego Hurtado de Mendoza.
- The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. Buonsignori Palace, although built in the 15th century, has a 19th century neo-medival façade based on the city's Palazzo Pubblico. The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries.
- The Basilica dell'Osservanza is a church on the outskirts of Siena, Italy. It was built around 1490, probably designed by Francesco di Giorgio. The church was expanded between 1495 and 1496 by Magnifico Despota Pandolfo Petrucci. Built in the Renaissance style, the original complex was damaged during the Siege of Siena in 1554. It was rebuilt during the Baroque period and restored between 1922 and 1932. During the Second World War it was almost totally destroyed by American bombing on January 23 1944, but in an ambitious post-war reconstruction project the original basilica was able to be rebuilt through photographs and evidence presented by the monks of the monastery.
- The Palazzo Pubblico, Siena's City Hall for almost 800 years, contains (amongst many other things) the famous frescos on good and bad government by Ambrogio Lorenzetti, frescoes by Simone Martini and Duccio. The outside of the structure is an example of Italian medieval architecture with Gothic influences. The lower story is stone; the upper crenelatted stories are made of brick. The facade of the palace is curved slightly inwards (concave) to reflect the outwards curve (convex) of the Piazza del Campo, Siena's central square of which the Palace is the focal point. The campanile or bell tower, Torre del Mangia, was built between 1325 and 1344 with its crown designed by the painter, Lippo Memmi. The tower was designed to be taller than the tower in neighboring rival Florence; at the time it was the tallest structure in Italy.
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