Bologna

Bologna

Bologna is the largest city (and the capital) of Emilia-Romagna Region in Northern Italy.

The area around Bologna has been inhabited since the 9th century BC, as evidenced by the archeological digs in the 19th century in nearby Villanova. This period, and up to the 6th century, is in fact generally referred to as villanovian, and had various nuclei of people spread out around this area. In the 7-6th centuries BC, Etruria began to have an influence on this area, and the population went from Umbrian to Etruscan. The town was renamed Felsina.

In the 4th century BC, the city and the surrounding area were conquered by the Boii, a Celtic tribe from Transalpine Gaul. The tribe settled down and mixed so well with the Etruscans, after a brief period of aggression, that they created a civilization that modern historians call Gaul-Etruscan (one of the best examples is the archeological complex of Monte Bibele, in the Apennines near Bologna). The Gauls dominated the area until 196 BC, when they were sacked by the Romans. After the Battle of Telamon, in which the forces of the Boii and their allies were badly beaten, the tribe reluctantly accepted the influence of the Roman Republic, but with the outbreak of the Punic Wars the Celts once more went on a war path. They first helped Hannibal's army cross the Alps then they supplied him with a consistent force of infantry that proved itself decisive in several battles. 

With the downfall of the Carthaginians came the end of the Boii as a free people, the Romans destroyed many settlements and villages (Monte Bibele is one of them) and then founded the colonia of Bononia in c.189 BC. The settlers included three thousand Latin families led by the consul Lucius Valerius Flaccus. The Celtic population was ultimately absorbed into the Roman society but the language has survived in some measure in the Bolognese dialect, which linguists say belongs to the Gallo-Italic group of languages and dialects. The building of the Via Aemilia in 187 BC made Bologna an important centre, connected to Arezzo by way of the Via Flaminia minor and to Aquileia through the Via Aemilia Altinate.

In 88 BC, the city became a municipium: it had a rectilinear street plan with six cardi and eight decumani (intersecting streets) which are still discernible today. During the Roman era, its population varied between c. 12,000 to c. 30,000. At its peak, it was the second city of Italy, and one of the most important of all the Empire, with various temples and baths, a theatre, and an arena. Pomponius Mela included Bononia among the five opulentissimae ("richest") cities of Italy. Although fire damaged the city during the reign of Claudius, the Roman Emperor Nero rebuilt it in the 1st century AD.

After the fall of the Empire, this area fell under the power of Odoacre, Theodore the Great (493-526), Byzantium and finally the Longobards, who used it mostly as a military centre. In 774, the city fell to Charlemagne, who gave it to Pope Adrian I.

After a long decline, Bologna was reborn in the 5th century under bishop Petronius. According to legend, St. Petronius built the church of S. Stefano. After the fall of Rome, Bologna was a frontier stronghold of the Exarchate of Ravenna in the Po plain, and was defended by a line of walls which did not enclose most of the ancient ruined Roman city. In 728, the city was captured by the Lombard king Liutprand, becoming part of the Lombard Kingdom. The Germanic conquerors formed a district called "addizione longobarda" near the complex of S. Stefano. Charlemagne stayed in this district in 786.

In the 11th century, Bologna began to aspire to being a free commune, which it was able to do when Matilda of Tuscany died, in 1115, and the following year the city obtained many judicial and economic concessions from Henry V. Bologna joined the Lombard League against Frederick Barbarossa in 1164 which ended with the Peace of Costanza in 1183; after which, the city began to expand rapidly (this is the period in which its famous towers were built) and it became one of the main commercial trade centres thanks to a system of canals that allowed large ships to come and go.

In 1337, the rule of the noble Pepoli family, nicknamed by some scholars as the "underground nobles" as they governed as "the first among equals" rather than as true nobles of the city. This noble family's rule was in many ways an extension of past rules, and resisted until March 28, 1401 when the Bentivoglio family took over. The Bentivoglio family ruled Bologna, first with Sante (1445–1462) and then under Giovanni II (1462–1506). This period was a flourishing one for the city, with the presence of notable architects and painters who made Bologna a true city of art. During the Renaissance, Bologna was the only Italian city that allowed women to excel in any profession. Women had much more freedom than in other Italian cities; some even had the opportunity to earn a degree at the university. 

Giovanni's reign ended in 1506 when the Papal troops of Julius II besieged Bologna and sacked the artistic treasures of his palace. From that point on, until the 18th century, Bologna was part of the Papal States, ruled by a cardinal legato and by a Senate which every two months elected a gonfaloniere (judge), assisted by eight elder consuls. In 1530, in front of Saint Petronio Church, Charles V was crowned Holy Roman Emperor by Pope Clement VII.

The period of Papal rule saw the construction of many churches and other religious establishments, and the reincarnation of older ones. At this time, Bologna had ninety-six convents, more than any other Italian city. Artists working during this period in Bologna established the Bolognese School which includes Annibale Carracci, Domenichino, Guercino and others of European fame.

In 1796, Napoleon took Bologna with his French troops, and with the rise of Napoleon, Bologna became the capital of the short lived Cispadane Republic. After the fall of Napoleon, and the Congress of Vienna in 1815, Bologna once again fell under the sovereignty of the Papal States, rising up in 1831 and again in 1849, when it temporarily expelled the Austrian garrisons which controlled the city. After a visit by Pope Pius IX in 1857, on 12 June 1859 the city voted in favour of annexation by the Kingdom of Sardinia, soon to become the Kingdom of Italy.

Bologna was bombed heavily during World War II. The strategic importance of the city as industrial and railway hub connecting northern and central Italy made it a strategic target for the Allied forces. On July 16, 1943 a massive aerial bombardment destroyed much of the historic city centre and killed scores of people. The main railway station and adjoining areas were severely hit, and 44% of the buildings in the centre were listed as having been destroyed or severely damaged. The city was heavily bombed again on September 25. The raids, which this time were not confined to the city centre, left 936 people dead and thousands injured.

During the war, the city was also a key centre of the Italian resistance movement. On November 7, 1944, a pitched battle around Porta Lame, waged by partisans of the 7th Brigade of the Gruppi d'Azione Patriottica against Fascist and Nazi occupation forces, did not succeed in triggering a general uprising, despite being one of the largest resistance-led urban conflicts in the European theater. Resistance forces entered Bologna on the morning of April 21, 1945. By this time, the Germans had already largely left the city in the face of the Allied advance, spearheaded by Polish forces advancing from the east during the Battle of Bologna which had been since April 9. First to arrive in the centre was the 87th Infantry Regiment of the Friuli Combat Group under general Arturo Scattini, who entered the centre from Porta Maggiore to the south. Since the soldiers were dressed in British outfits, they were initially thought to be part of the allied forces; when the local inhabitants heard the soldiers were speaking Italian, they poured out on to the streets to celebrate. Polish reconnaissance units of the Polish 2nd Corps entered Bologna from another direction on the same morning as the Friuli Combat Group. The fighting to oust the Germans from the town had been mostly undertaken by Polish troops.

After World War II, Bologna became a thriving industrial centre as well as a political stronghold of the Italian Communist Party, leading the Italian political "Red Quadrilateral". 

Bologna is renowned for its culinary tradition. It has given its name to the well-known Bolognese sauce, a meat based pasta sauce called in Italy ragù alla bolognese but in the city itself just ragù as in Tagliatelle al ragù. Situated in the fertile Po River Valley, the rich local cuisine depends heavily on meats and cheeses. As in all of Emilia-Romagna, the production of cured pork meats such as prosciutto, mortadella and salami is an important part of the local food industry. Well-regarded nearby vineyards include Pignoletto dei Colli Bolognesi, Lambrusco di Modena and Sangiovese di Romagna. Tagliatelle with ragù, lasagne, tortellini served in broth, and mortadella, the original Bologna sausage, are among the local specialties. Traditional Bolognese desserts are often linked to holidays, such as fave dei morti, multi-colored almond paste cookies made for All Saints' Day, jam-filled raviole cookies that are served on Saint Joseph's Day, and carnival sweets known as sfrappole. Torta di riso, a custard-like cake made of almonds, rice and amaretto, is made throughout the year.

                                                        Bologna’s Top 5:

   
1. Bologna Cathedral dedicated to Saint Peter, is the seat and the metropolitan cathedral of the Archbishop of Bologna. There was already a cathedral on the site (on the present Via Indipendenza) in 1028, accompanied by a pre-Romanesque campanile with a circular base (in the architectural tradition of Ravenna). This church was destroyed by a devastating fire in 1141. It was reconstructed, and consecrated by Pope Lucius III in 1184. In 1396 a high portico (protiro) was added to the west front, which was rebuilt in 1467. In 1582 Pope Gregory XIII elevated the Bishop of Bologna to Archbishop, and accordingly the cathedral was elevated to the rank of "metropolitan church" (a bishop's seat with jurisdiction over other bishops and dioceses in its territory). By order of Cardinal Gabriele Paleotti a radical remodelling of the interior of the building began in 1575, of which the crypt and the Greater Chapel (Capella Maggiore) survive. The alterations were so extensive however as to cause the vaults to collapse in 1599, and the decision was then made to rebuild the main part of the cathedral from scratch. Work on the new building started in 1605. A new façade was added between 1743 and 1747, to designs by the architect Alfonso Torreggiani, on the instructions of Pope Benedict XIV.
2. The Towers of Bologna are a group of medieval structures in Bologna. The two most prominent ones, also called the Two Towers, are the landmark of the city. The Two Towers, both of them leaning, are the symbol of the city. They are located at the intersection of the roads that lead to the five gates of the old ring wall (mura dei torresotti). The taller one is called the Asinelli while the smaller but more leaning tower is called the Garisenda. Their names derive from the families which are traditionally credited for their construction between 1109 and 1119. However, the scarcity of documents from this early period makes this in reality rather uncertain. The name of the Asinelli family, for example, is documented for the first time actually only in 1185, almost 70 years after the presumed construction of the tower which is attributed to them.
3. The Palazzo del Podestà is a civic building in Bologna. The edifice was built around 1200 as the seat of the local podestà, the various functionaries of the commune. It stands on the Piazza Maggiore, near the Palazzo Communale and facing the Basilica of St. Petronio. Proving insufficient for the massive participation of the people in the city's government, it was in 1245 flanked by the Palazzo Re Enzo, over which stands the Torre dell'Arengo, whose bell was used to call the people during emergencies.The Palazzo del Podestà is a long building, with a large hall on the upper floor. The lower floor is a double open arcade, the so-called Voltone del Podestà, through which pass two lanes of shops. 
4. International Museum and Library of Music. The Civico Museo Bibliografico Musicale, founded in 1959 to hold the Comune di Bologna’s collection of musical objects, was renamed International Museum and Library of Music in 2004 with the opening of the museum’s site, the Palazzo Sanguinetti, in the historic center of Bologna. The building was reopened to the public after a long and careful restoration that brought the rich, interior frescoes back to their original splendor. These frescoes were completed between the end of the 18th century and the beginning of the 19th century, and provide one of the greatest examples of the Napoleonic and Neoclassical period in Bologna.
5. The Sanctuary of the Madonna of San Luca is a basilica church sited atop Colle or Monte della Guardia, in a forested hill some 300 metres above the plain, just south-west of the historical centre of the city. While a road now leads up to the sanctuary, it is also possible to reach it along a (3.5 km) monumental roofed arcade (Portico di San Luca) consisting of 666 arches, which was built in 1674-1793. It was meant to protect the icon as it was paraded up the hill. A yearly procession from the Cathedral of San Pietro in the centre of Bologna to the Sanctuary goes along this path. Originally the arches held icons or chapels erected by the patron family. The Sanctuary was meant to house a miraculous icon of the virgin. A church or chapel existed on the hill for about a thousand years. The present church was constructed in 1723 using the designs of Carlo Francesco Dotti.
   
   
   

   

   
   
   
   

Siena

Siena

Siena, or Sienna in English, is a city in Tuscany, Italy. It is the capital of the province of Siena. The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008. Siena is famous for its cuisine, art, museums, medieval cityscape and the Palio, a horse race held twice a year.

Siena, like other Tuscan hill towns, was first settled in the time of the Etruscans (c. 900–400 BC) when it was inhabited by a tribe called the Saina. The Etruscans were an advanced people who changed the face of central Italy through their use of irrigation to reclaim previously unfarmable land, and their custom of building their settlements in well-defended hill forts. A Roman town called Saena Julia was founded at the site in the time of the Emperor Augustus. The first document mentioning it dates from AD 70. Some archaeologists assert that Siena was controlled for a period by a Gaulish tribe called the Senones.

The Roman origin accounts for the town's emblem: a she-wolf suckling infants Romulus and Remus. According to legend, Siena was founded by Senius, son of Remus, who was in turn the brother of Romulus, after whom Rome was named. Statues and other artwork depicting a she-wolf suckling the young twins Romulus and Remus can be seen all over the city of Siena. Other etymologies derive the name from the Etruscan family name "Saina," the Roman family name of the "Saenii," or the Latin word "senex" ("old") or the derived form "seneo", "to be old".

Siena did not prosper under Roman rule. It was not sited near any major roads and lacked opportunities for trade. Its insular status meant that Christianity did not penetrate until the 4th century AD, and it was not until the Lombards invaded Siena and the surrounding territory that it knew prosperity. After the Lombard occupation, the old Roman roads of Via Aurelia and the Via Cassia passed through areas exposed to Byzantine raids, so the Lombards rerouted much of their trade between the Lombards' northern possessions and Rome along a more secure road through Siena. Siena prospered as a trading post, and the constant streams of pilgrims passing to and from Rome provided a valuable source of income in the centuries to come.

The oldest aristocratic families in Siena date their line to the Lombards' surrender in 774 to Charlemagne. At this point, the city was inundated with a swarm of Frankish overseers who married into the existing Sienese nobility and left a legacy that can be seen in the abbeys they founded throughout Sienese territory. Feudal power waned however, and by the death of Countess Matilda in 1115 the border territory of the Mark of Tuscia which had been under the control of her family, the Canossa, broke up into several autonomous regions. This ultimately resulted into the creation of the Republic of Siena.

It existed for over four hundreds years, from the late 11th century until the year 1555. At the Italian War, the republic was defeated by the rival Duchy of Florence in alliance with the Spanish crown. After 18 months of resistance, Republic of Siena surrendered to Spain on 17 April 1555, marking the end of the republic.

The new Spanish King Philip, owing huge sums to the Medici, ceded it (apart a series of coastal fortress annexed to the State of Presidi) to the Grand Duchy of Tuscany, to which it belonged until the unification of Italy in the 19th century.

A Republican government of 700 Sienese families in Montalcino resisted until 1559.

Siena is a city which depends and flourishes on tourism. Siena was a very poor little city for a few hundred years after its defeat, which is the main reason that its lovely Medieval buildings were never torn down and replaced with modern structures. In the 19th century, tourists started coming. Nowadays, it is a requirement that new buildings within the city walls be built to maintain the city's character and beauty - many are strikingly modern, yet fit in well.

Siena is large enough still to have items made in the local area, stemming from its history of craftmanship, so you will find some items not readily available anywhere else. Fine paper, neckties, fabrics, embroidery/tapestry, glazed terracotta, gold jewelry, and of course local food and wine, are some of the distinctive items produced locally. There is a great shop on Via di Citta (the main street) with leather luggage, purses, bags etc.

A huge Market is held every Wednesday around the Fortezza Mediceana from about 7am to about 2pm.

Due to the city's status as a major tourist attraction there are plenty of newsagents selling international papers and magazines. A good example is the shop opposite the church on Via San Marco in the Snail Contrada, which has a friendly and helpful multilingual owner, who also runs an internet access point.

The Palio di Siena is a traditional medieval horse race run around the Piazza del Campo twice each year, on 2 July and 16 August. The event is attended by large crowds, and is widely televised. Seventeen Contrade (which are city neighbourhoods originally formed as battalions for the city's defence) vie for the trophy: a painted banner, or Palio bearing an image of the Blessed Virgin Mary. For each race a new Palio is commissioned by well-known artists and Palios won over many years can often be seen in the local Contrade museum. During each Palio period, the city is decked out in lamps and flags bearing the Contrade colours.

Ten of the seventeen Contrade run in each Palio: seven run by right (having not run in the previous year's corresponding Palio) together with three drawn by lot from the remaining ten. A horse is assigned to each by lot and is then guarded and cared for in the Contrade stable. The jockeys are paid huge sums and indeed there are often deals and bribes between jockeys or between "allied" Contrade committees to hinder other riders, especially those of 'enemy' Contrade. For the three days preceding the Palio itself, there are practice races. The horses are led from their stables through the city streets to the Campo, accompanied by crowds wearing Contrade scarves or tee-shirts and the air is filled with much singing and shouting.

Though often a brutal and dangerous competition for horse and bare-back rider alike, the city thrives on the pride this competition brings. The Palio is not simply a tourist event as a true Sienese regards this in an almost tribal way, with passions and rivalry similar to that found at a football 'Derby' match. In fact the Sienese are baptised twice, once in church and a second time in their own Contrade fountain. This loyalty is maintained through a Contrade 'social club' and regular events and charitable works. Indeed the night before the Palio the city is a mass of closed roads as each Contrade organises its own outdoor banquet, often for numbers in excess of 1,000 diners. On the day of the Palio itself the horses are accompanied by a spectacular display of drummers and flag twirlers dressed in traditional medieval costumes who first lead the horse and jockey to the Contrade parish church and then join a procession around the Piazza del Campo square. This traditional parade is called the Corteo Storico, which begins in the streets and concludes in the Piazza del Campo encircling the square. There are often long delays while the race marshall attempts to line up the horses, but once underway the Campo becomes a cauldron of wild emotion for the 3 minutes of the race.

This event is not without its controversy however, and recently, there have been complaints about the treatment of the horses and to the danger run by the riders. In order to better protect the horses, steps have been taken to make veterinary care more easily available during the main race. Also at the most dangerous corners of the course, cushions are used to help protect both the riders and horses.

                                                       Siena’s Top 5:

   
1. The Cathedral of Siena dedicated from its earliest days as a Roman Catholic Marian church and now to Santa Maria Assunta (Most Holy Mary of Assumption), is a medieval church in Siena, central Italy. The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius.
2. Fortezza Medicea (the Medici Fortress sometimes called the Fort of Saint Barbara) is a fort built in the city between 1561 and 1563 on the orders of Duke Cosimo, a few years before he became the first Grand Duke of Tuscany. The fortress is positioned on the northern edge of the central Siena in the San Prospero quarter, and since 1923 has overlooked the city’s Artemio Franchi /Montepaschi Arena. Construction of the fortress followed the Battle of Marciano which in 1554 marked the final defeat of Siena by its long standing rival, Florence. It was located on the site of a previous fort, known as the Cittadella/Citadel, which had been built in 1548 on the orders of the Emperor Charles V after the city came under the control of Spain, subjected to the authority of the Spanish ambassador, Diego Hurtado de Mendoza.
3. The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. Buonsignori Palace, although built in the 15th century, has a 19th century neo-medival façade based on the city's Palazzo Pubblico. The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries.
4. The Basilica dell'Osservanza is a church on the outskirts of Siena, Italy. It was built around 1490, probably designed by Francesco di Giorgio. The church was expanded between 1495 and 1496 by Magnifico Despota Pandolfo Petrucci. Built in the Renaissance style, the original complex was damaged during the Siege of Siena in 1554. It was rebuilt during the Baroque period and restored between 1922 and 1932. During the Second World War it was almost totally destroyed by American bombing on January 23 1944, but in an ambitious post-war reconstruction project the original basilica was able to be rebuilt through photographs and evidence presented by the monks of the monastery.
5. The Palazzo Pubblico, Siena's City Hall for almost 800 years, contains (amongst many other things) the famous frescos on good and bad government by Ambrogio Lorenzetti, frescoes by Simone Martini and Duccio. The outside of the structure is an example of Italian medieval architecture with Gothic influences. The lower story is stone; the upper crenelatted stories are made of brick. The facade of the palace is curved slightly inwards (concave) to reflect the outwards curve (convex) of the Piazza del Campo, Siena's central square of which the Palace is the focal point. The campanile or bell tower, Torre del Mangia, was built between 1325 and 1344 with its crown designed by the painter, Lippo Memmi. The tower was designed to be taller than the tower in neighboring rival Florence; at the time it was the tallest structure in Italy.

Girona

Girona

Girona is a city in the northeast of Catalonia, Spain at the confluence of the rivers Ter, Onyar, Galligants and Güell, with an official population of 96,722 in January 2011. It is the capital of the province of the same name and of the comarca of the Gironès. It is located 99 km (62 mi) northeast of Barcelona. Girona is one of the major Catalan cities.

The first historical inhabitants in the region were Iberians; Girona is the ancient Gerunda, a city of the Ausetani. Later, the Romans built a citadel there, which was given the name of Gerunda. The Visigoths ruled in Girona until it was conquered by the Moors. Finally, Charlemagne reconquered it in 785 and made it one of the fourteen original countships of Catalonia. Thus it was wrested temporarily from the Moors, who were driven out finally in 1015. Wilfred the Hairy incorporated Girona into the countship of Barcelona in 878. Alfonso I of Aragón declared Girona to be a city in the 11th century. 

The ancient countship later became a duchy (1351) when King Peter III of Aragon gave the title of Duke to his first-born son, John. In 1414, King Ferdinand I in turn gave the title of Prince of Girona to his first-born son, Alfonso. The title is currently carried by Prince Felipe, Prince of Asturias, the first since the 16th century to do so.

The 12th century saw a flourishing of the Jewish community of Girona, with one of the most important Kabbalistic schools in Europe. The Rabbi of Girona, Moshe ben Nahman Gerondi (better known as Nahmanides or Ramban) was appointed Great Rabbi of Catalonia. The history of the Jewish community of Girona ended in 1492, when the Catholic Kings expelled all the Jews from Catalonia. Today, the Jewish ghetto or Call is one of the best preserved in Europe and is a major tourist attraction. On the north side of the old city is the Montjuïc (or hill of the Jews in medieval Catalan), where an important religious cemetery was located.

Girona has undergone twenty-five sieges and been captured seven times. It was besieged by the French royal armies under Charles de Monchy d'Hocquincourt in 1653, under Bernardin Gigault de Bellefonds in 1684, and twice in 1694 under Anne Jules de Noailles.

 In May 1809, it was besiegedby 35,000 French Napoleonic troops under Vergier, Augereau and St. Cyr, and held out obstinately under the leadership of Alvarez until disease and famine compelled it to capitulate, 12 December. Finally, the French conquered the city in 1809, after 7 months of siege. Girona was center of the Ter department during the French rule, which lasted from 1809 to 1813. The defensive city walls were demolished at the end of the 19th century to allow for the expansion of the city. In recent years, the missing parts of the city walls on the eastern side of the city have been reconstructed. Called the Passeig de la Muralla it now forms a tourist route around the old city.

As with nearly all cultures, Catalonian cooking has great character. Its innovative cooking often looking back to history for inspiration. Although ultimately Mediterranean, Girona has been influenced by various cultures over the centuries: the Greeks, Romans, the Italians in the eighteenth century and the French have all left their mark on this complex cuisine. Catalonia has absorbed the best of each country and created a culinary package which forms part of the popular wisdom of the region.

The Catalonian cuisine uses the same ingredients as in other Mediterranean regions: tomatoes, garlic, fresh herbs, olive oil (particularly those of the Denomination of Origin Garrigues and Siurana, prepared using the variety of olive called the "arbequina"), onions, cod… The traveller is sometimes reminded of dishes from Provence, Rosellon, Naples or Sicily: cities which invaded the Kingdom of Aragon of which modern Catalonia formed part.

Another activity which reflects the Catalonian dynamism is the wine industry. There are eleven different Denominations of Origin, due to the varied landscapes of the region. Catalonia has both large production regions such as Penedés and small and more specialised regions, such as Conca de Barberá, Alella and Pla de Bages. With this wine heritage, Catalonia is capable of producing fresh, light white wines, powerful red wines and classical rosé wines; light internationally recognised red wines and sparkling wines which are exported world-wide and have the Denomination Cava, the best natural sparkling wine in the world, together with French champagne. 

Historically speaking, the Catalonian vineyard basically produced red wines until the production of cava at the end of the nineteenth century was increased, thereby boosting the production of three other local varieties at the same time: Xarel·lo, Macabeo and Parellada. The last great success of Catalonian viticulture has been the recognition of the D.O. Priorat, an area which produces powerful and complex reds from Garnacha and Cariñena grapes which are considered as among the best in the world. The example of Priorat has served to recognise other Catalonion D.O.s, such as Falset, Tarragona, Empordà-Costa Brava and Montsant (the last one). Recently, the D.O. Catalunya has been created for local products throughout Catalonia.

                                                        Girona’s Top 5:

   
1. Girona Cathedral. The ancient cathedral, which stood on the site of the present one, was used by the Moors as a mosque, and after their final expulsion was either entirely remodelled or rebuilt. The present edifice is one of the most important monuments of the school of the Majorcan architect Jaume Fabre and an excellent example of Spanish Gothic architecture. It is approached by eighty-six steps. An aisle and chapels surround the choir, which opens by three arches into the nave, of which the pointed stone vault is the widest in Christendom (22 meters). Among its interior decorations is a retable which is the work of the Valencian silversmith Pere Bernec. It is divided into three tiers of statuettes and reliefs, framed in canopied niches of cast and hammered silver. A gold and silver altar-frontal was carried off by the French in 1809. The cathedral contains the tombs of Ramon Berenger and his wife.
2. The city walls of the old town was an important military construction built in Roman times in the 1st century BC. It was thoroughly rebuilt under the reign of Peter III the Ceremonious in the second half of the 14th century. The Roman wall was used as a foundation. At the start of the 16th century, the wall was absorbed in the city. The walled precinct lost its military value. Bit by bit, the wall was degrading, as parts were gradually altered from the inside and the outside. The walls and lookout towers that make up these fortifications are split in two - a small section in the north of the old town and a much larger section in the south. It is possible to walk the entire length of the walls and climb the towers, where visitors can enjoy panoramic views of Girona and the surrounding countryside.
3. The Collegiate Church of Sant Feliu is noteworthy from an architectural point of view. Its style is 14th-century Gothic, the façade dating from the 18th, and it is one of the few Spanish churches which possesses a genuine spire. It contains, besides the sepulchre of its patron and the tomb of the valiant Álvarez, a chapel dedicated to St. Narcissus, who according to tradition was one of the early bishops of the see.
4. Houses on the Onyar. Laid out almost entirely in stone, Girona offers spectacular views of porticoed squares and steep alleyways. Its most emblematic sight, however, are the Houses on the Onyar --the river flowing through the city--, painted in bright colors against the impressing background images of Sant Feliu and the Cathedral.
5. The Arab Baths.  Its structure is an imitation of Medieval Muslim baths, and its existence has been documented from the 12th century. It has a rectangular layout, and behind the entrance door is the apodyterium, or changing room, and an octagonal pool. A small room gives onto the frigidarium, or cold room, which in turn leads into the warm room or tepidarium. Rather less well conserved is the caldarium, which were been the hot steam baths. The building is situated in the Capuchin convent.
   
   
   

   

   
   
   
   

References: http://www.girona.cat/turisme/eng/activitats.php

Cadiz

Cadiz

Cadiz is a city and port in southwestern Spain. It is the capital of the homonymous province, one of eight which make up the autonomous community of Andalusia.

Cadiz, the second oldest continuously inhabited city in the Iberian Peninsula and one of the oldest in all southwestern Europe, has been a principal home port of the Spanish Navy since the accession of the Spanish Bourbons in the 18th century. The city is a member of the Most Ancient European Towns Network.

The city was originally founded as Gadir by the Phoenicians from Tyre, who used it in their trade with Tartessos, a city-state believed by archaeologists to be somewhere near the mouth of the Guadalquivir River, about thirty kilometres northwest of Cadiz. (Its exact location has never been firmly established.)

Cadiz is the most ancient city still standing in Western Europe. Traditionally, its founding is dated to 1104 BC although no archaeological strata on the site can be dated earlier than the 9th century BC. One resolution for this discrepancy has been to assume that Gadir was merely a small seasonal trading post in its earliest days.

Later, the Greeks knew the city as Gadira or Gadeira. According to Greek legend, Gadir was founded by Hercules after performing his fabled tenth labour, the slaying of Geryon, a monstrous warrior-titan with three heads and three torsos joined to a single pair of legs. As early as the 3rd century, a tumulus (a large earthen mound) near Cádiz was associated with Geryon's final resting-place.

One of the city's notable features during antiquity was the temple dedicated to the Phoenician god Melqart. (Melqart was associated with Hercules by the Greeks.) According to the Life of Apollonius of Tyana, the temple was still standing during the 1st century. Some historians, based in part on this source, believe that the columns of this temple were the origin of the myth of the pillars of Hercules.

Around 500 BC, the city fell under the sway of Carthage. Cadiz became a base of operations for Hannibal's conquest of southern Iberia. However, in 206 BC, the city fell to Roman forces under Scipio Africanus. The people of Cadiz welcomed the victors. Under the Romans, the city's Greek name was modified to Gades; it flourished as a Roman naval base. By the time of Augustus, Cadiz was home to more than five hundred equites (members of one of the two upper social classes), a concentration of notable citizens rivalled only by Padua and Rome itself. It was the principal city of a Roman colony, Augusta Urbs Julia Gaditana. However, with the decline of the Roman Empire, Gades's commercial importance began to fade.

The overthrow of Roman power in Hispania Baetica by the Visigoths in 410 saw the destruction of the original city, of which there remain few remnants today. The city was later reconquered by Justinian in 550 as a part of the Byzantine province of Spania. It would remain Byzantine until Leovigild's reconquest in 572, and returned to the Visigothic Kingdom.

Under Moorish rule between 711 and 1262, the city was called Qādis, from which the modern Spanish name, Cádiz, was derived. The Moors were finally ousted by Alphonso X of Castile in 1262.

During the Age of Exploration, the city experienced a renaissance. Christopher Columbus sailed from Cádiz on his second and fourth voyages, and the city later became the home port of the Spanish treasure fleet. Consequently, the city became a major target of Spain's enemies. The 16th century also saw a series of failed raids by Barbary corsairs. The greater part of the old town was consumed in the conflagration of 1569. In April 1587 a raid by the Englishman Sir Francis Drake occupied the harbour for three days, capturing six ships and destroying 31 others as well as a large quantity of stores (an event popularly known as 'The Singeing of the King of Spain's Beard'). The attack delayed the sailing of the Spanish Armada by a year.

The city suffered a still more serious attack in 1596, when it was captured by an English fleet under the Earl of Essex and Sir Charles Howard. 32 Spanish ships were destroyed and the city was captured, looted and occupied for almost a month. Finally, when the royal authorities refused to pay a ransom demanded by the English for returning the city intact, they burned much of it before leaving with their booty. Another English raid was mounted by the Duke of Buckingham in 1625 against the city, commanded by Sir Edward Cecil, but this was unsuccessful. In the Anglo-Spanish War Admiral Robert Blake blockaded Cadiz from 1655 to 1657. In the Battle of Cádiz (1702), the English attacked again under Sir George Rooke and James, Duke of Ormonde, but they were repelled after a costly siege.

In the 18th century, the sand bars of the river Guadalquivir forced the Spanish government to transfer the port monopolising trade with Spanish America from upriver Seville to Cadiz with better access to the Atlantic. During this time, the city experienced a golden age during which three-quarters of all Spanish trade was with the Americas. It became one of Spain's greatest and most cosmopolitan cities and home to trading communities from many countries, among whom the richest was the Irish community. Many of today's historic buildings in the Old City date from this era.

During the Napoleonic Wars Cadiz was blockaded by the British from 1797 until the Peace of Amiens in 1802, and again from 1803 until the outbreak of the Peninsular War in 1808. In that war it was one of the few Spanish cities to hold out against the invading French, who sought to install Joseph Bonaparte on the throne. It became the seat of Spain's military high command and of the Cortes (parliament) for the duration of the war. It was here that the liberal Spanish Constitution of 1812 was proclaimed. The citizens revolted in 1820 to secure a renewal of this constitution; the revolution spread across Spain, leading to the imprisonment of King Ferdinand VII in Cadiz. French forces secured the release of Ferdinand in the Battle of Trocadero (1823) and suppressed liberalism. In 1868, Cadiz was once again the seat of a revolution, resulting in the eventual abdication and exile of Queen Isabella II. The same Cadiz Cortes decided to reinstate the monarchy under King Amadeo I just two years later. In recent years, the city has undergone much reconstruction. Many monuments, cathedrals, and landmarks have been cleaned and restored, adding to the charm of this ancient city.

The Carnival of Cadiz is one of the best known carnivals in the world. Throughout the year, carnival-related activities are almost constant in the city; there are always rehearsals, public demonstrations, and contests of various kinds.

The city of Cadiz is often noted for having the most humorous people in Spain. Consequently, the central themes of the carnival are sharp criticisms, often of a political nature, clever plays on words, and the off-beat imagination displayed in revellers' costumes, which, unlike in carnival venues elsewhere in the world, do not emphasize the glamorous or scandalous.

The Carnival of Cadiz is famous for the satirical groups called chirigotas, who perform comical musical pieces. Typically, a chirigota is composed of seven to twelve performers who sing, act and improvise accompanied by guitars, kazoos, a bass drum, and a variety of noise-makers. Other than the chirigotas, there are many other groups of performers: choruses; ensembles called comparsas, who sing in close harmony much like the barbershop quartets of African-American culture or the mariachis of Mexico; cuartetos, consisting of four (or sometimes three) performers alternating dramatic parodies and humorous songs; and romanceros, storytellers who recite tales in verse. These diverse spectacles turn the city into a colourful and popular open-air theatre for two entire weeks in February.

                                                       Cadiz’s Top 5:

   
1. Cádiz Cathedral is a Roman Catholic church which was built between 1722 and 1838. It was declared Bien de Interés Cultural in 1931. The Plaza de la Catedral houses both the Cathedral and the Baroque Santiago church, built in 1635. The church sits on the site of an older cathedral, completed in 1260, which burned down in 1596. The reconstruction, which was not started until 1776, was supervised by the architect Vicente Acero, who had also built the Granada Cathedral. Acero left the project and was succeeded by several other architects. As a result, this largely baroque-style cathedral was built over a period of 116 years, and, due to this drawn-out period of construction, the cathedral underwent several major changes to its original design. Though the cathedral was originally intended to be a baroque edifice, it contains rococo elements, and was finally completed in the neoclassical style. Its chapels have many paintings and relics from the old cathedral and monasteries from throughout Spain.
2. The Museum of Cadiz was founded in 1970 after the merger of the Provincial Museum of Fine Arts with the Provincial Museum of Archaeology. The museum is to be found at number 5 Plaza de Mina, and contains many objects from Cádiz's 3000 year history as well as works by artists such as Peter Paul Rubens.
3. Fortress of Candelaria The Baluarte de la Candelaria (fortress or stronghold of Candlemas) is a military fortification. Taking advantage of a natural elevation of land, it was constructed in 1672 at the initiative of the governor, Diego Caballero de Illescas. Protected by a seaward-facing wall that had previously served as a seawall, Candelaria's cannons were in a position to command the channels approaching the port of Cádiz. In more recent times, the edifice has served as a headquarters for the corps of military engineers and as the home to the army's homing pigeons, birds used to carry written messages over hostile terrain. Thoroughly renovated, it is now used as a cultural venue. There has been some discussion of using it to house a maritime museum, but, at present, it is designated for use as a permanent exposition space.
4. The Casa del Almirante is a palatial house, adjacent to the Plaza San Martín in the Barrio del Pópulo, which was constructed in 1690 with the proceeds of the lucrative trade with the Americas. It was built by the family of the admiral of the Spanish treasure fleet, the so-called Fleet of the Indies, Don Diego de Barrios. The exterior is sheathed in exquisite red and white Genoan marble, prepared in the workshops of Andreoli, and mounted by the master, García Narváez. The colonnaded portico, the grand staircase under the cupola, and the hall on the main floor are architectural features of great nobility and beauty. The shield of the Barrios family appears on the second-floor balcony.
5. The Roman theatre was discovered in 1980, in the El Pópulo district, after a fire had destroyed some old warehouses, revealing a layer of construction that was judged to be the foundations of some medieval buildings; the foundations of these buildings had been built, in turn, upon much more ancient stones, hand-hewn limestone of a Roman character. Systematic excavations have revealed a largely intact Roman theatre. The theatre, constructed by order of Lucius Cornelius Balbus (minor) during the 1st century BC, is the second largest Roman theatre in the world, surpassed only by the theatre of Pompeii, south of Rome. Cicero, in his Epistulae ad Familiares ("Letters to his friends"), wrote of its use by Balbus for personal propaganda. 
   
   
   

   

   
   

Catania

Catania

Catania is an Italian city on the east coast of Sicily facing the Ionian Sea, between Messina and Syracuse. It is the capital of the homonymous province, and is the second-largest city in Sicily and the tenth in Italy.

Catania is known for its seismic history, having been destroyed by a catastrophic earthquake in 1169, another in 1693, and several volcanic eruptions from the neighboring Mount Etna volcano, the most violent of which was in 1669.

All ancient authors agree in representing Catania as a Greek colony named Κατάνη of Chalcidic origin, but founded immediately from the neighboring city of Naxos, under the guidance of a leader named Euarchos (Euarchus).

The exact date of its foundation is not recorded, but it appears from Thucydides to have followed shortly after that of Leontini (modern Lentini), which he places in the fifth year after Syracuse, or 730 BC.

In the First Punic War, Catania was one of the first among the cities of Sicily, which made their submission to the Roman Republic, after the first successes of their arms in 263 BC.

It appears to have continued afterwards steadily to maintain its friendly relations with Rome, and though it did not enjoy the advantages of a confederate city (foederata civitas), like its neighbors Tauromenium (modern Taormina) and Messana (modern Messina), it rose to a position of great prosperity under the Roman rule.

Cicero repeatedly mentions it as, in his time, a wealthy and flourishing city; it retained its ancient municipal institutions, its chief magistrate bearing the title of Proagorus; and appears to have been one of the principal ports of Sicily for the export of corn.

It subsequently suffered severely from the ravages of Sextus Pompeius, and was in consequence one of the cities to which a colony was sent by Augustus; a measure that appears to have in a great degree restored its prosperity, so that in Strabo's time it was one of the few cities in the island that was in a flourishing condition.

One of the most serious eruptions of Mount Etna happened in 121 BC, when great part of Catania was overwhelmed by streams of lava, and the hot ashes fell in such quantities in the city itself, as to break in the roofs of the houses.
The port of Catania also, which was in great part filled up by the eruption of 1669 AD, appears to have been in ancient times much frequented, and was the chief place of export for the corn of the rich neighboring plains. The little river Amenanus, or Amenas, which flowed through the city, was a very small stream, and could never have been navigable.

Catania was sacked by the Vandals of Gaiseric in 440–441. After a period under the Ostrogoths, it was reconquered in 535 by the Eastern Roman Empire, under which (aside from a short period in 550–555) it remained until the 9th century. It was the seat of the Byzantine governor of the island.

Santa Maria dell'Elemosina

Catania was under the Islamic emirate of Sicily until 1072, when it fell to the Normans of Roger I of Sicily. Subsequently the city was ruled a bishop-count. In 1194–1197 the city was sacked by German soldiers during after the conquest of the island by emperor Henry VI. In 1232 it rebelled to the former's son, Frederick II, who later built a massive castle, Castello Ursino and also made Catania a royal city, ending the dominance of the bishops. Catania was one of the main centers of the Sicilian Vespers revolt (1282) against the House of Anjou, and was the seat of the incoronation of the new Aragonese king of Sicily, Peter I. In the 14th century it gained importance as it was chosen by the Aragonese as a Parliament and Royal seat. Here, in 1347, it was signed the treaty of peace that ended the long War of the Vesper between Aragonese and Angevines. Catania lost its capital role when, in the early 15th century, Sicily was turned into a province of the larger Kingdom of Aragon, but kept some of its autonomy and privileges.

In 1434 King Alfonso V founded here the Siciliae Studium Generale, the oldest university in the island.

With the unification of Castile and Aragon (early 16th century), Sicily became part of the Spanish Empire. It rebelled against the foreign government in 1516 and 1647.

In 1669 the city's surroundings suffered great material damage from an eruption of Mount Etna. The city itself was largely saved by its walls that diverted most of the lava into the port. Afterwards in 1693 the city was then completely destroyed by a heavy earthquake and its aftershocks. The city was then rebuilt in the Baroque architecture that nowadays characterizes it.

Castello Ursino

Catania was one of the vanguards of the movement for the Sicilian autonomy in the early 19th century.

In 1860 Giuseppe Garibaldi's expedition of the Thousand conquered Sicily for Piedmont from the Kingdom of the Two Sicilies. Since the following year Catania was part of the newly unified Italy, whose history it shares since then.

During World War II Catania was repeatedly bombed by the Allies, starting from 5 June 1940, and some 100,000 of its inhabitants were moved to the neighboring villages. It was evacuated by the Germans on 5 August 1943. After the conflict, and the constitution of Italian Republic (1946), the history of Catania was, like the history of other cities of southern Italy, an attempt to catch up with the economic and social development of the richer northern regions in the country and to solve the problems that for historic reasons plague the Mezzogiorno, namely a heavy gap in industrial development and infrastructures, and the threat of the mafia.

This notwithstanding, during the 1960s (and partly during the 1990s) Catania enjoyed a development and an economic, social and cultural effervescence. In the first decade of the 21st century, Catania economic and social development somewhat faltered and the city is again facing economic and social stagnation. This was aggravated by the economical crisis left by the Forza Italia administration of mayor Scapagnini in 2008.

Catania has a unique cuisine, with strong Sicilian traits. Dishes such as Pasta alla Norma are from the city. Pasta alla Norma is a pasta dish made out of macaroni-like penne, tomato sauce, largely sliced aubergines, and often topped with salty ricotta, or ricotta salata in Italian. Granita, a popular flavoured sherbet, is believed to hail from the city too. Blood oranges, such as the famous tarocco, are common to the city and others. Another famous plate is horse's meat, usually cooked on coals and sold on the streets.

Throughout Sicily, you can get a freshly made cold panini in a “salumeria”, where you choose whatever you want to put in (prosciutto cotto/crudo and cheese is probably the most popular). Don’t forget that most of them are closed between 1-4PM and on Sunday afternoon. You can also have a tavola calda which mean “hot bite”, most of them made with cheese and meat, fried or baked. There is also the Sicilian speciality of arancino, which are deep fried rice balls with various fillings, meat or eggplant or spinach, that sell for €1,50 at most places. They make a good lunch snack. Finally, you will find, especially during the evening, big kiosks that sell hot, tasty and fat panini. Most people add fries into the sandwich. Usually, it’s about €2,50-3,00 and they are very popular among teenagers. Because its quite cheap, there is normally confusion at these kiosks.

The food and fish markets just below the Piazza del Duomo are a lively and colourful place to visit. This fish market is the busiest and most exotic of all over Sicily and has been described by the British TV chef Rick Stein as the best fish market in the world. Monday to Saturday morning only.

                                                       Catania’s Top 5:

   
1. The Cathedral of Catania, entitled to St. Agatha, has been destroyed and rebuilt several times due earthquakes and eruptions of the nearby volcano Etna. It was originally constructed in 1078-1093, on the ruins of the ancient Roman Achillean Baths, by order of Roger I of Sicily, who had conquered the city from the Islamic emirate of Sicily. At the time it had the appearance of a fortified church (ecclesia munita). In 1169 it was nearly entirely destroyed by an earthquake, leaving only the apse area intact. Further damage was introduced by a fire in 1169, but the most catastrophic event was the 1693 earthquake, which again left it mostly in ruins. It was subsequently rebuilt in Baroque style. Today, traces of the original Norman edifice include part of the transept, the two towers and the three semicircular apses, composed of large lava stones, most of them recovered from imperial Roman buildings.
2. Castello Ursino was built, circa from 1239 to 1250, as one of the royal castles of Emperor Frederick II, King of Sicily, closing a chapter on the turbulent time in Sicily that followed the death of his predecessor, William II. Local lords had attempted to assert independence, and in 1220 Frederick II had ordered the destruction of all non-royal castles in Sicily Castle Ursino was built to stress royal power as well as for the defence of the capital, and was considered impregnable at the time. In 1295, during the Sicilian Vespers, the Parliament which declared deposed James II of Aragon as King of Sicily, replacing him with Frederick III, was held here. The following year it was captured by Robert of Anjou but was later again in Aragonese hands. King Frederick III resided in the castle, as well as his successors Peter II, Louis, Frederick IV and Maria. Here the latter was kidnapped by Guglielmo Raimondo III Moncada to avoid her marriage with Gian Galeazzo Visconti (1392). King Martin I held also his court in the castle.
3. The Basilica della Collegiata (also known as Santa Maria dell'Elemosina) is a church in Catania. Finished in 1768, it is an example of Sicilian Baroque. The church was built in the early 18th century, after the earthquake of 1693 that had destroyed most of the city. The design of the church is attributed to Angelo Italia, who changed the orientation of the previous edifice destroyed by the earthquake, in order to have it facing the new via Uzeda (current Etnea Street) according to the rebuilding plan of the city. The façade, designed by Stefano Ittar, is one of the most notable examples of Sicilian Baroque in Catania.
4. Palazzo degli Elefanti  is a historical building which currently houses the city's Town Hall. The palace, located on the northern side of the Cathedral square, was begun in 1696 after the devastating earthquake of 1693, its original designed having been commissioned to Giovan Battista Longobardo. The eastern, southern, and western façades were however designed at a later stage by Giovan Battista Vaccarini, while the northern one was by Carmelo Battaglia. The staircase opening to the inner court with four porticoes was added in the late 18th century by Stefano Ittar. On the second floor are paintings by the Sicilian artist Giuseppe Sciuti.
5. u Liotru.  The symbol of the city is u Liotru, or the Fontana dell'Elefante, assembled in 1736 by Giovanni Battista Vaccarini. It portrays an ancient lavic stone elephant and is topped by an Egyptian obelisk from Syene. Legend has it that Vaccarini's original elephant was neuter, which the men of Catania took as an insult to their virility. To appease them, Vaccarini appropriately appended elephantine testicles to the original statue. The Sicilian name u Liotru is a phonetic change of Heliodorus, a nobleman who, after trying without success to become bishop of the city, became a sorcerer and was therefore condemned to the stake. Legend has it that Heliodorus himself was the sculptor of the lava elephant and that he used to magically ride it in his fantastic travels from Catania to Constantinople. Another legend has it that Heliodorus was able to transform himself into an elephant.